Showing posts with label sewing. Show all posts
Showing posts with label sewing. Show all posts

Friday, 4 November 2016

Reloved Magazine


This Summer, I made the difficult decision to leave my role as editor of Inside Crochet to spend more time with my daughter before she started school this September and so far it is proving to be the right choice. I am not only enjoying spending more quality time with my family but I also have the opportunity to contribute to other publications. One I have recently had some work published in is Reloved. It is a magazine devoted to upcyling and slow living, so of course its ethos is one I am very interested in at the moment, as I am both trying to encompass a slower lifestyle while at the same time trying to do up my new home on a budget and ensure that my daughter has a lot of craft and making in her life.
Image by Lucy Williams, Make up Nicki Henbrey, Styling Claire Montgomerie
I have had a feature in each of the last two issues. The series focuses on upcycling old sweaters, something I have been passionate about since my degree and MA in textiles. Reworking old clothes is a great way to extend your wardrobe on a shoe string, but in the first feature, I also give some ideas for other interior and accessories projects you can create with some felted knitting and a bit of embellishment, including these pictures.

Image by Lucy Williams,  Styling Claire Montgomerie
I had a fabulous old sweater, possibly from the fifties of sixties, which was sent to the charity shop because it had been felted in the wash. As its lucky new owner, I made not only a stylish hot water bottle cover from it, but also some cute cuffs and still had some lovely cabled fabric left over, which I need to decide what to do with! If you are careful with your knits and don't have any felted pieces to utilise, I also give my tips for successful fulling.
Image by Lucy Williams
In the second issue (out now!) there is an interview with me and I look at how to unravel old jumpers to utilise the yarn in new ways, creating a cute beanie from an old wool and mohair sweater. This way of upcycling is not new - people have been ripping back old knits for the yarn as long as we have been knitting. WWII was probably the last time the practice was performed in earnest due to the wool shortage cause by the war, but it is just as relevant now, with fast fashion filling our landfill sites at an alarming rate. I love the idea of a handmade wardrobe which is lovingly repaired and reworked with the seasons and fashions. I do love high street shopping, but I am much more thoughtful about my purchases these days and now I have more time on my hands, I am hoping to hone my sewing skills to match my knit and crochet ones to create more and more beautiful items for my family which will last a whole lot longer than some of the cheaply made items available in the shops contemporarily. If you feel the same, go pick up a copy of the magazine, it is full of great inspiration from wonderful designers like Annie Sloan, Kate Beavis and Charis Williams.

image by Lucy Williams, Styling Claire Montgomerie
Image Kirsten Mavric, Make up Nicki Henbrey


Wednesday, 2 March 2016

World Book Day


Today I sent off a little mini Alice in Wonderland to school for World Book Day. I am quite proud of the make do and mend style costume (inspired by the Mary Blair designs for the Disney film rather than the original book!) The 'Alice' band is crocheted and the apron was cut and sewn from a cheap cotton pillowcase. 

If you want to have a go at the hairband - simply use any DK weight yarn, make 5ch, then work 1dc in 2nd chain from hook and each chain to end. Carry on working straight in rows on these 4 double crochet until band is desired length around head, fasten two ends into a ring by working a slip stitch join.
Then work another strip in the same way of approximately 20cm long. Make two loops with this strip and sew or slip stitch join in place on top of head band. Weave in all ends and wear proudly!

Monday, 23 September 2013

Granny square SOS


This month, Inside Crochet has a distinctly granny theme, with a good proportion of the patterns inspired by the humble granny square. In honour of that, I thought I would share my tutorial for repairing granny squares. We have all done it - chopped off our ends at the centre of our granny square, thinking that we have probably worked over the end enough to trap it in. Then, some months later, you notice that the square is unravelling from the centre out. As with the blanket I had assembled for my nephew Austin at my sister's baby shower, which I talked about in my last post.


Above you can see the square that became unravelled in Austin's blanket. The good thing about this granny, and traditional granny motifs, is that they are usually made of a different colour each round so you can easily see distinct rows and it makes it easier to repair. It also means that if you cannot salvage enough of that first round of yarn to make the same round again, you can simply substitute another yarn in a different shade and it will not look out of place.


To begin, run a 'life line' along the round above the broken round; the round the unravelled yarn runs through. You can do this by threading a yarn needle and passing it through the round, or by pulling a thread through each group of stitches with a small crochet hook, as I am doing above.
If you are a fan of lace knitting, you may be familiar with a lifeline - a thread used to 'save' or mark a number of stitches -  but it isn't often used in crochet, as you usually only have one stitch on your hook at one time. A lifeline is run through stitches to allow you to pull back to that point without dropping stitches. The yarn or thread you use for this should be finer than the yarn used in the project, for ease of passing through and to limit stitch distortion. It should also be smooth, so you can pull it out easily when it is no longer needed. Finally, it should also be a contrasting colour so that you can see it easily. Therefore, any kind of strong, fine, cotton crochet thread is perfect for a lifeline, I am using a DMC Petra thread for the lifeline shown.
Once your lifeline is in place, you can safely unravel the broken round without fear of the entire motif disintegrating.

Now, starting at the treble group to the right of a set of two corner trebles groups, thread the working yarn you will be using to recreate the first round clockwise around the stitches of the round that the lifeline is holding. Pull a little through to work the first stitches, but make sure that you are working the first stitches with the shorter end of the thread and that the long/ball end is at the end of the round. (Note: I have only threaded the bright orange yarn of that first round left to right through the first corner treble groups worked to pinpoint the groups you should be working with first).



With the short end of yarn, begin the first round again, as for a regular granny square, making the ring, then working the first three treble group into the ring. Pull up on the last loop on your hook, making it longer, then remove your hook from the loop.


Insert the hook through all the stitches of the next two three treble groups at the corner, from left to right, then insert your hook back through the original loop from the first round, and pull that loop back through the two three trebles groups. You may need to now pull on the yarn to make that loop the correct size - it shouldn't be too big.

Work a three treble group into the ring of the first round, then pull up on the final loop, remove the hook from the loop and repeat the same process for each corner. As with a regular granny square round, join with a slip stitch to the first stitch and your repair should be complete! This technique was revolutionary to me when I first learned it, I hope you enjoy it too.



I am aware that this technique can be very confusing and fiddly to work so I am preparing a video tutorial - will post it ASAP! 

Friday, 5 August 2011

quilting...

I am going through a very exciting period of my life at the moment, which I plan to blog about more very soon, but in the meantime, I apologise for lack of presence here and leave you some pretty pictures of some fabric I have bought for a very important new arrival, which may see me sewing (or doing hardly any crafts at all...) rather than knitting for a while....
the top lot come from a rather gorgeous little shop in Canterbury and I had a ball choosing which fabrics I thought would look fabulous with some I had already bought. It took hours!
These (above) are Japanese cottons from the absolutely fabulous Eternal Maker in Chichester and the ones below are from the now sadly closed Sally Bourne in Crouch End. Can't wait to show you what the finished article is like!

...more soon!

Sunday, 2 January 2011

More from 2010: Horrockses



Amongst the selection of fabulous exhibitions I visited last year was the Horrockses Fashion at the FTM, the wonderful, intimate venue in Bermondsey.
For those of you who haven't come across the company the museum was highlighting, Horrockses Fashion Limited was a ready-to-wear manufacturer of fashionable, mid-market clothing in the 1950s.

Although they were mass-manufactured, the dresses were well designed, wearable and made from wonderful, uniquely designed textiles.
The exhibition was small, yet packed in a huge amount of interesting and colourful artefacts, including actual garments, original designs, signage, advertising and fabric samples as well as some ephemera donated by the public. There was a wall showcasing personal black and white snaps of glamourous 1950s young ladies donning the stunning sundresses.
A fabulous fact discovered in the fascinating exhibition literature was that the company came into its own just as Britons began to holiday abroad, as the lightweight, prettily patterned cotton dresses and sun suits were perfect warm weather attire.
I loved everything about this exhibition and found the beachwear and sundresses still eminently wearable. In fact, continuing my New Years Resolutions theme for these posts, I have my eye on a couple of the designs to try to recreate myself.
This must be the year I conquer my sewing machine, if only to benefit my first beach holiday in years, as I am not a typical beach holiday dresser. I think that I've mentioned before that I have what I like to call an 'English Rose' complexion - snow white and freckly! This means that in the sun I will inevitably eschew the short shorts and teeny bikinis for swathes of cotton, a huge floppy hat and oversized sunnies. (I like to think I look enigmatic and glamourous sitting under the parasol, rather than an eccentric recluse - think Joan Collins rather than Miss Havisham). These voluminous skirts will fit in perfectly with my alternative holiday wardrobe...wish me luck!

Thursday, 4 November 2010

toys, toys, toys


Been busy making lots and lots of little creatures for an upcoming exhibition, Tales From the Sock Drawer.
Here are some Wise Old Owls...
...without faces....

...and with!
More little folk soon.

Saturday, 10 July 2010

craftravaganza!

Today it was the Bust Craftacular at York Hall, Bethnal Green and I was there with my good friend gingerknits (check out the great cartoon about knitting she has posted this week).
The weather was probably a little too warm to spend a lot of time in such a toasty hall, but that didn't put off the hoards queuing to get in when we arrived. It was sometimes too crowded to see what was on the stalls, so we decided to take refreshments in the form of iced tea in these wonderful cups - I want some in china, and the tablecloth to match! All very summery.

Ginger and I noticed that there were quite a few themes throughout the show, including moustaches, birds and perhaps strangely for East London at the moment, foxes! (although these seemed way friendlier than the Hackney ones!)
I loved these birdie buttons from Four and Plenty and couldn't resist them, although I was very jealous of the last flamingo which Ginger snapped up quick smart.
I also loved Brat and Suzie's cute rabbit vest or squirrel on a motorbike cropped tee (more animals!) but resisted temptation. (If they'd had it in a red or green or stripy, like some of their other prints I may have succumbed...)

We then of course had to go to Prick Your Finger as it was just around the corner and had a chat to the lovely owner Rachael, who was busy knitting the new sign for the shop! Ginger had not been before, so of course had to buy some lovely new yarn, which happened to be a J C Rennie yarn in the exact same colour I have at home...I think we are turning into the same person....
I loved the mini exhibit they have in the window promoting John Paul Flintoff's new book, Sew Your Own, a book about a man's quest to find the meaning of life through making his own stuff...or something.
I must now read the book and see what the hype is about, as I love some of the products he made on his journey. This dress is for Rosie, the favourite bear of Flintoff's daughter and his sewing is on a par with mine (which isn't a compliment) but I love the naivety of it and the pretty print and the fact you can tell it is hand made. Fortunately for my sewing skills, I have always admired the childlike finish is sewing and the reverse of sewn works, with all the colourful tangling of loose threads.
All in all, it was a lovely day out in very good company so I am glad we dragged our freckled skin out into the midday sun.

Saturday, 27 March 2010

artreach quilting bee



In the past few weeks, I have mentioned that I have been working with Northwood Artreach, running crafty workshops for the community. The outcome needed to be a group art piece which could be displayed, so with the present popularity of quilts, not least due to the fantastic V&A exhibition, I decided to make a quilt-like wall hanging, with inspiration from Tracey Emin's beautiful textiles artwork. Finally, we have finished our own version of an art quilt, with each individual contributing a beautifully crafted square based on our initial inspiration of Winter Colours.



I had a fantastic time with these lovely folk and am glad I could help bring out their creative side. Some of them may never have done any textiles work before, while others had not touched a knitting or sewing needle in years, but were inspired to begin making for themselves again after the class.
I am very impressed with the diversity of colour, texture and technique used and the individuality of each contribution and the final piece has come together really well. The picture (above) shows the initial arranging phase of the final quilt. I will post a final picture hanging in situ asap. It will be displayed in a community theatre very shortly, which is fabulous for the quilters!

Saturday, 13 March 2010

fabric corsage tutorial



This pattern is very simple and yet very effective. You do not need to have any previous sewing experience as all the sewing happens at the back of the corsage and so is hidden away. It also takes no time at all to make -  it is unfussy, easy and quick.

Materials
A variety of fabric circles as wide in diameter as you want the corsage to be. The one I am working on here is 6cm in diameter. You will need at least 10 circles, but you can add as many as you need to make the corsage as full as you like.
Scissors or plinking shears, dependant on the edge you want to achieve
Sewing needle and thread
Safety pin or kilt pin, or hair slide, dependant on whether you want a brooch or hairclip


Step one
Cut out the circles, using a template to ensure each is the same size



Step two

Fold each circle in half and sew it to secure

Step three
Attach each folded semi circle together along the fold using simple tacking stitches and keep adding circles until the corsage is as full as you desire


Step four
Attach a safety pin, kilt pin, brooch back or hairclip to the back of corsage. 




Et voila!